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ASEF ANNUAL REPORT 2014

Partners

Partners

  • Agence Luxembourgeoise D’Action Culturelle (Luxembourg)

  • ANCER - Asia Pacific Network for Education and Research (Singapore)

  • Arts Council of Mongolia

  • Arts Network Asia (ANA) (Singapore)

  • ASEF University Alumni Network (ASEFUAN)

  • ASEM Education and Research Hub for Lifelong Learning (ASEM LLL Hub) (Singapore)

  • ASEM SMEs Eco-Innovation Center (ASEIC) (Korea)

  • ASEM Water Resource Research and Development Centre (China)

  • Asia Centre (France)

  • Asialink (Australia)

  • Asian Civilisations Museum (Singapore)

  • Association of Southeast Asian Nations (ASEAN)

  • Australia Council for the Arts

  • Beneshwer Lok Vikas Sansthan (India)

  • Bertelsmann Stiftung (Germany)

  • Bruegel (Belgium)

  • Busan International Film Festival (Korea)

  • Centre d’Etudes Prospectives et d’Informations Internationales (CEPII) (France)

  • Changsha People’s Government (China)

  • China Council for the Promotion of International Trade (China)

  • Chinese Center for Disease Control and Prevention (China CDC)

  • Creative Carbon Scotland (UK)

  • Department of Foreign Affairs (Philippines)

  • DiploFoundation (Switzerland)

  • DutchCulture (Netherlands)

  • EARS-Europe-Asia Roundtable Sessions (Finland)

  • EAVE – European Audiovisual Entrepreneurs (Luxembourg)

  • ENCATC - European Network of Cultural Administration Training Centers (Belgium)

  • Europa Nostra (Netherlands)

  • European Economic Social Committee (Belgium)

  • Far East Film Festival (Italy)

  • Fondo Audiovisivo Del Friuli Venezia Giulia (Italy)

  • French Regional Delegation for Cooperation with ASEAN (Indonesia)

  • Friedrich Ebert Stiftung (FES) (Germany)

  • Fundacja Upside Art (Poland)

  • GlasgowLife (United Kingdom)

  • Hanns Seidel Foundation (HSF) (Germany)

  • Het Nieuwe Instituut (Netherlands)

  • Information Center National Association for Visual Arts (Australia)

  • Institute for Global Environmental Strategies (IGES) (Japan)

  • Institute of World Economic and Politics – Chinese Academy for Social Sciences (IWEP-CASS) (China)

  • INTACH - Indian National Trust for Art and Cultural Heritage (India)

  • Intercultural Theatre Institute (ICI) (Singapore)

  • International Council for Cultural Centers (I3C) (Bulgaria)

  • International Institute for Democracy and Electoral Assistance (IDEA) (Sweden)

  • International Institute for Sustainable Development (IISD) (Switzerland)

  • International Institute for the Inclusive Museum (Denmark)

  • International Network for Contemporary Performing Arts (IETM) (Belgium)

  • INTO - International National Trusts Organisation

  • Jan van Eyck Academie (Netherlands)

  • Japan Center - Pacific Basin Arts Communicator (PARC)

  • Japan Foundation

  • Jatiwangi Art Factory (Indonesia)

  • Julie’s Bicycle (United Kingdom)

  • Konrad-Adenauer-Stiftung (KAS) Media Programme (Germany)

  • Korea Arts Management Service (KAMS)

  • Korean National Commission for UNESCO

  • Korea University

  • Mainzer Kunstverein Walpodenstrasse 21 e.V. (Germany)

  • Ministry of Culture, Community and Youth (Singapore)

  • Ministry of Culture, Sports and Tourism (Korea)

  • Ministry of Culture, Sports and Tourism (Viet Nam)

  • Ministry of Education, Culture and Science (Mongolia)

  • Ministry of Education, Culture and Science (Netherlands)

  • Ministry of External Affairs (MEA) (India)

  • Ministry of Foreign Affairs and International Development (France)

  • Ministry of Foreign Affairs (Norway)

  • Modern Sky Entertainment (China), Sandarbh (India)

  • Museum of Transitory Art (Slovenia)

  • My Performing Arts Agency (Malaysia)

  • National Centre for Research on Europe (NCRE) – University of Canterbury (New Zealand)

  • National Museum in Szczecin (Poland)

  • On-The-Move (Belgium)

  • Politecnico di Milano School of Management (Italy)

  • Raoul Wallenberg Institute (Sweden)

  • Res Artis Foundation (Netherlands)

  • Riksutstallningar (Sweden)

  • Stockholm Environment Institute (SEI) (Thailand)

  • Swedish International Development Agency (Sida) (Sweden)

  • The Asian Development Bank Institute (ADBI) (Japan)

  • The Hong Kong Institute of Education (China)

  • The Research Council of Norway (Norway)

  • The Yuchengco Center, De La Salle University (Philippines)

  • TippingPoint (United Kingdom)

  • The Energy and Resources Institute (TERI) (India)

  • TPAM (Japan)

  • Trans Europe Halles (Sweden)

  • Translocal Institute (Hungary)

  • United Nations Development Programme (UNDP) (Belgium)

  • United Nations Environment Programme (UNEP) (Thailand)

  • United Nations Office for Sustainable Development (UNOSD) (Korea)

  • Weltmuseum Wien (Austria)

  • Yangon Heritage Trust (Myanmar)

Sponsors/Supporters

  • Aarhus University, Department of Education (DPU) (Denmark)

  • Chatham House, the Royal Institute of International Affairs (United Kingdom)

  • European Union

  • Federal Department of Foreign Affairs (Switzerland)

  • Institute for International Political Studies (ISPI) (Italy)

  • Ministry of Education (DMOE) (Denmark)

  • Ministry of Foreign Affairs (China)

  • Ministry of Foreign Affairs (DMFA) (Denmark)

  • Ministry of Foreign Affairs (Japan)

  • World Association of Newspapers and News Publishers (WAN-IFRA) (Singapore)

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